Paris Couture Day Three was a stunning display of creativity and innovation as several prominent designers showcased their unique visions. One of the standout shows of the day was Jean-Paul Gaultier Haute Couture by Glenn Martens. Martens expertly combined Gaultier’s iconic DNA with his own innovative ideas, creating a collection that was a true testament to the highest level of stylistic research in the fashion industry. Martens incorporated various elements of Gaultier’s signature style, such as lingerie, androgyny, French culture, Aran sweaters, and techy graphics. The collection also featured quirky touches, like a bodycon dress with a tiger motif and a beautifully deranged reinterpreted gown. The models exuded immense pride as they walked the runway, styled with stunning chignons and long-fabric-wrapped braids. Martens also paid homage to the skilled individuals in Gaultier’s atelier, showcasing their craftsmanship in unique and breathtaking designs.
Elie Saab’s collection focused on empowering women and making them look and feel beautiful. Saab utilized the full expertise of his atelier to create stunning gowns that bestowed an ethereal quality upon the models. The dresses were exquisitely cut from organza and adorned with crystalline flowers, creating a sense of delicate elegance. The collection featured crystal-dusted cutaway gowns, sequined columns, and grand gowns in soft pastel hues. Saab’s craftsmanship was particularly highlighted in his spellbinding wedding dresses, including one with a 20-square-meter train embellished with bugle beads and crystals. Despite the challenges faced by Lebanon and Beirut, Saab’s atelier continues to produce works of exceptional excellence, showcasing grace under pressure. The collection was presented in a magnificent glass market from the 19th century, adding to the overall beauty of the experience.
Valentino’s couture collection was presented in an intimate setting, with a limited number of guests in attendance. The front row had few notable celebrities, and the overall ambiance felt somewhat lacking in grandeur. Nevertheless, Pierpaolo Piccioli, the current couturier of Valentino, showcased his grandiose faille and chiffon gowns in vibrant lilac, peppermint, and raspberry hues. The collection also included summer suits, crepe columns, and co-ed ensembles, with feather eye extensions adding to the models’ allure. The show, titled “Anatomy of Couture,” allowed Piccioli to express his gratitude and appreciation for his atelier staff, creating a warm and emotional atmosphere. The collection raised questions about Piccioli’s future and whether it hinted at a departure from the brand, leaving the audience intrigued.
Zuhair Murad’s show was nothing short of a spectacle, featuring pirate-inspired glamour. The runway, designed as an ancient map of the Spanish Main, served as the perfect backdrop for models to embody the spirit of Captain Jack Sparrow’s wife and muses. The collection began with a rock star pirate look, featuring a tuxedo dress adorned with golden chains. The models exuded an adventurous air as they strutted through the Salon Napoleon in the Westin Hotel, wearing straw tricorne hats and exquisitely embellished attire. Zuhair showcased his mastery in creating grand gowns for society weddings and high-profile events, ensuring that his lady pirates of the Caribbean captivated attention.
Paris Couture Day Three was a captivating showcase of the unique visions of Jean-Paul Gaultier Haute Couture by Glenn Martens, Elie Saab, Valentino, and Zuhair Murad. Each designer brought their own perspective and style to the runway, resulting in collections that celebrated craftsmanship, beauty, and individuality. The day reaffirmed Paris as the ultimate destination for high fashion and demonstrated the essence of haute couture.
Here are two useful links relevant to the article:
– Jean-Paul Gaultier Haute Couture by Glenn Martens show: Vogue
– Elie Saab’s collection: Elle
