Milan Fashion Week, one of the most anticipated events in the fashion world, delivered an impressive lineup of designers and collections that left a lasting impact. Versace, Tod’s, Luisa Beccaria, Etro, and Durazzi were among the standout shows that captivated audiences. However, what truly set this fashion week apart was the presence of anti-Putin protesters outside the Versace show, raising awareness about the ongoing conflict in Ukraine. Despite the political undertones, the fashion shows themselves were a feast for the eyes, filled with creativity, glamour, and innovation.
The Versace show was a tribute to regal style, with models exuding powerful, sophisticated glamour. The collection featured sculptural bustiers incorporated into various garments, such as power shoulder suits and mini cocktail dresses. To complete the look, the models donned black latex leggings and Pinball Wizard high platform boots. Donatella Versace, the mastermind behind the collection, explained that the looks were built on contrast and tension, creating an irresistible energy.
Tod’s, a brand that has recently enjoyed a revival, presented their latest collection titled “Italian Beauty.” The show kicked off with an all-black statement, featuring impeccably tailored pieces worn by models like Gigi and Bella Hadid. The collection showcased crisp and concise clothes for cultured and creative women, with a focus on well-cut jackets, long culottes, and chunky knits. The addition of leather looks, such as beige calfskin blazers and shearling bomber jackets, added depth to the collection. The show culminated with supporters of the brand forming hearts with their hands, symbolizing the love and loyalty they have for Tod’s.
Etro, known for its bohemian aesthetic, surprised audiences with their raciest collection in years. The show took place in the cloisters of a baroque church, creating a beautiful contrast to the collection. Designer Veronica Etro experimented with revealing crocheted dresses, bra tops, and Ibiza-inspired looks. The collection retained Etro’s signature paisley fabric but presented it in a more haute-bohemian and vibrant approach. Tangerine matelassé trousers, flared wool pants, and one-sleeve mini cocktail dresses stood out as some of the highlight pieces.
Luisa Beccaria’s presentation captured a sense of fragile romanticism, reflecting the current state of the world. The collection featured hyperchromatic clothes that played with prints in various forms. Beccaria showcased her signature lace, stretch satin, devoré velvet, and trompe l’oeil prints. Collaborating with artist Sofia Cacciapaglia, Beccaria built soaring walls made of painted cardboard boxes, serving as a stunning backdrop for her designs. Delicate evening coats made of shearling, trimmed with embroidered florals, added a luxurious touch to the collection.
Durazzi, a debut brand by Ilenia Durazzi, offered a fresh take on equestrian style. Despite being her first solo collection, Durazzi’s expertise gained from designing for Balenciaga and Tod’s was evident. Precision-cut matelassé riding vests transformed into smart jackets and fringed mini-skirts were the highlights of the collection. Riding boots that flared up at the knee and fringe detailing resembling mini-manes completed the looks. Durazzi’s preppy slimline cardigans and shearling bomber jackets showcased her attention to detail and craftsmanship.
In summary, Milan Fashion Week presented an eclectic mix of designs that showcased the unique perspectives of each designer. From the regal’n’roll aesthetics at Versace to the Italian beauty theme at Tod’s, and from the hot hippie chic vibes at Etro to the fragile romanticism seen at Luisa Beccaria, and the urban horsey chic style at Durazzi, the collections displayed the vast creativity and innovation that the fashion industry has to offer. Despite the political backdrop, the shows were able to remain a celebration of style, individuality, and the power of fashion to transcend boundaries.
Links (when applicable):
1. Versace Show
2. Tod’s Show
