During Milan’s Men’s Fashion Week, Etro and Charles Jeffrey Loverboy stood out with their captivating shows. Etro, known for its iconic Paisley motif, surprised audiences by presenting a collection that showcased a departure from their trademark design. Designer Marco De Vincenzo skillfully blended the brand’s heritage with a youthful and relaxed wardrobe, resulting in a collection that was both rich and fresh.
The Etro collection featured jumpsuits and pajama sets made from printed silk or embroidered with folkloric flowers. Loose-fitting pants and fine knitwear added to the relaxed aesthetic. This season, the label’s famous Paisley motif took a backseat, making way for tapestry motifs from the brand’s archives to take center stage. The overall impression was one of lightness and nonchalance, with many looks exuding a sense of freshness.
Marco De Vincenzo played with optical effects, geometric motifs, and repetitive patterns in his designs. Sweaters that appeared to be made of terry cloth, cardigans knitted from Christmas garlands, and vests resembling looped rugs were just some of the inventive pieces showcased. The designer also incorporated the theme of blankets, transforming them into coats, ponchos, and capes. Thick jacquard blankets draped over the models’ shoulders added a touch of majesty to the looks. Drawing inspiration from a 17th-century grimoire, allegorical images were incorporated onto maxi T-shirts, short-sleeved shirts, and flesh-toned tops.
Charles Jeffrey Loverboy took a bold and extravagant approach with their medieval-inspired show. The focus was on power and its representation, explored through the designer’s signature ironic style. Models paraded around in feathered tricorns, royal blue frock coats, and skirts adorned with strips or woollen threads. Embossed collars, lace borders, and elements reminiscent of the 17th century added a touch of regality. Playfulness was injected into the collection through child-like drawings of swords, crowns, and dragons. A vibrant palette of bright colors, particularly fluorescent yellow, dominated the garments. Graphic jacquard jumpers, prints, and motifs added a contemporary pop culture element, while sporty influences could be seen in leggings, knitwear, and cycling shorts.
Charles Jeffrey Loverboy aimed to establish a new Carolingian era with this collection, drawing inspiration from the Renaissance-like period of the Carolingian Empire, the New Romantics, and historical costume. The show celebrated euphoria and the possibility of a better life for all individuals. The collection was a bold and exuberant display of fashion that left a lasting impression.
Overall, both Etro and Charles Jeffrey Loverboy showcased impressive collections during Milan’s Men’s Fashion Week. Etro’s departure from their signature Paisley motif demonstrated a fresh take on their heritage, while Charles Jeffrey Loverboy’s extravagant exploration of power and representation captivated their audience. The shows brought forth unique and exciting visions of fashion.
Useful Links:
1. Etro Official Website
2. Charles Jeffrey Loverboy Official Website
